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Jay leaves her children because of drug addiction

On the Come Up

Jay leaves her children because of drug addiction, an event Brianna experiences at five as an abrupt abandonment and remembers long after Jay returns. Reconstructed in a nightmare that is also a memory, the departure begins the family’s separation and becomes a lasting wound: Brianna can love Jay and live with her again while still fearing the moment she was left behind.

The departure

In the remembered scene, Brianna climbs into her mother’s old Lexus with an overstuffed backpack. Her father has been dead for nearly a year, and Aunt Pooh has been gone for a couple of months, living with an aunt in the projects. Brianna notices dark marks on Jay’s arm. Jay had explained them as a sign that she was not feeling well; when Brianna asks if she is still sick, Jay quietly agrees and pulls her sleeve down. The child sees the marks, but not yet the drug habit and crisis they signify.

Jay tells Brianna and her older brother, Trey, that they are going somewhere special. Instead, she drives them to their grandparents’ driveway. Trey understands what is happening before Brianna does and begs Jay not to leave. When his tears make Brianna cry, Jay tells him to take his little sister inside. Trey refuses to leave the car, so Jay unlocks his seat belt and tries to pull him out while he braces his feet against the seat. Her request that he be her little man, for Brianna’s sake, places a burden of protection on him even as he is a frightened child himself.

Trey wipes his face, tells Brianna he is okay, and helps her out of the car. Jay gives both children their backpacks and instructs them to obey their grandparents. She promises Brianna she will return later, but when Brianna asks when, Jay offers no definite time. She kisses both children on the forehead, starts the car, and drives away crying. Brianna knows even at five that her mother will not be back for a long time. She drops her backpack and runs after the car, calling for Jay not to leave, but stops at the street because she has been told not to go into it. The scene ends with the car disappearing and Brianna still calling after it.

Addiction, separation, and return

Brianna later understands that Jay left because she could not manage both caring for her children and sustaining her drug habit. The departure is therefore more than a confused child’s misreading: it is a real break in care caused by addiction. Brianna says that this was when she learned that people who die can sometimes take the living with them. The thought connects Jay’s absence to the death of Brianna’s father, making separation feel like another form of bereavement.

A few months after leaving, Jay appears to Brianna in a park with red eyes and scaly skin, an image that makes her seem less like her mother than a dragon. Brianna begins calling her Jay rather than Mommy. The name marks an emotional distance: the person who had been her mother no longer feels recognizable as that person. Brianna says the habit of using the name was hard to break, and remains so even after their relationship changes.

Jay returns after three years and a stay in rehab. Although she is clean, a judge initially permits her to have Brianna and Trey only every other weekend and on some holidays. Full-time custody comes later, after Jay has a job and rents a home; by the time Brianna recounts the nightmare, the children have been back with her for five years. The return restores daily family life, but does not erase the first separation or make its memory safe to discuss.

The memory’s continuing effects

The departure returns in Brianna’s sleep without warning. Four hours after a battle, she dreams the scene in detail and jolts awake when someone calls her name. She tries to catch her breath and wipes the dampness from her eyes. When Jay asks whether she was having a nightmare, Brianna says it was nothing. She understands that the dream is a memory, but chooses not to tell Jay: she expects the disclosure to make her mother feel guilty, and then to make Brianna feel guilty for causing that guilt. Their reunion is thus marked by a protective silence as well as attachment.

The separation also sits beside Brianna’s later experiences of threat. When a school guard restrains her, the fact that he is not a police officer and has no gun does not stop her from fearing that she could end up like the boy who was shot. Returning to the place where guards pinned her down makes breathing harder, and she identifies that spot as something she will never forget. These moments do not make the childhood departure the sole cause of her fear; they show how a history of loss and later danger can recur through bodily alarm, silence, and a heightened sense of what might happen next.

The same pattern surfaces when Brianna imagines the consequences of violence. After wanting a man dead, she retreats to her bedroom, curls into a corner with her knees against her chest, and thinks of the gunshot that killed her father and the damage a death would do to a wife, as Jay’s suffering did to her. In another crisis, the thought that she may have lost someone and just recovered them comes with an invisible grip across her chest and a gasp for air. The novel gives separation and fear a physical presence, while keeping their particular triggers distinct.

Family bonds and the meaning of leaving

Jay’s departure changes the meaning of later care. In the car, she asks Trey to act as a protector for Brianna; after the separation, their grandparents provide the home where the children stay. Jay eventually recovers, regains full-time custody, and resumes raising them, but Brianna’s remembered chase down the driveway remains alongside that later history. Recovery and reunion are consequential changes, not a reversal that makes the original promise to return true on time.

Brianna’s response holds affection and hurt together. She does not deny that Jay was unable to care for them while addicted, and she does not treat Jay’s later sobriety and effort to rebuild a home as though they could undo the experience of being left. Instead, she conceals the recurring dream to spare her mother’s guilt, even as the silence leaves Brianna alone with the memory. The episode gives her later fear of loss a concrete childhood history and shows why reunion, however real, cannot by itself end the emotional aftermath of abandonment.

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